Day 1 Writing Routine: Magic

I had to pull up my old writing routines from four years ago in order to get a template for recordkeeping. I don’t know what I was thinking back then, but it was not uncommon for me to critique four or five peer works per night. I must have been out of my mind.

My perspective of approach to the writing routine has drastically changed since then as well. These days, there are no “all-nighters.” I can’t afford to push myself like I’m training for the Olympics. “Slow and steady wins the race.” But I’m not racing anyway, am I.

Like knitting a ten-foot scarf through nightly goals of only seven lines each – Why? Because seven lines were a guaranteed accomplishment. Dread-free.

Nothing I attempted today was a painful stretch to complete. Before I even began, I made peace with myself: I’d begin and attempt. If I found my heart wasn’t in the task, I gave myself permission to invest my effort elsewhere. What I discovered was, the “begin and attempt” were the hardest parts. With low expectations of what the “begin and attempt” might produce, I was comfortable and confident enough to just keep going. It really felt like magic.

critique: 1 peer work

read: various dog poems

• Dog, Weldon Kees

I am no growling cicerone or Cerberus
But wreckage for the pound, snuffling in shame
All cold-nosed toward identity. –Rex? Ginger? No.

• Walking with Jackie, Sitting with a Dog, Gary Soto

We find a dog, hungry and sad as a suitcase kicked open
And showing nothing.

• The Dog Stoltz, August Kleinzahler
• February, Margaret Atwood (cat poem)

warm-up:

• 1 letter, 2 min.
• 2 min. association
• prompt: “On the other side of that door…”

write: first-draft poem, The Proposal (126 words)

revise: The Proposal (v. 1-3)

research: A Capital Idea: Should first words in lines of poetry be capitalized?, Alberto Ríos

Total time = 6 hours